Market Art Fair – Elastic Gallery – 2024

Installation view – Market Art Fair with Elastic Gallery, May 2024.
Mud time, 2024
Chrome plated steel sheet, 160 × 110 cm
And the amazons laughed as if they never had to battle, 2024
Car paint on steel sheet, 160 × 110 cm
When one travels one might hit a storm, 2024
Chrome plated steel sheet, 160 × 110 cm
Whatever the weather, 2024
Chrome plated steel sheet, 30 × 40 cm

Subterranea, 2024
Chrome plated steel sheet, 30 × 40 cm

How Red, 2024
Car paint on steel sheet, 30 × 40 cm.

Photos: OMN

When gesture becomes movement – Femidomen, Nesodden, 2024

When gesture becomes movement
Workshop and summer solstice celebration
Femidomen, Nesodden 2024.
Photo by Marianne Heier.
When gesture becomes movement
Workshop and summer solstice celebration
Femidomen, Nesodden 2024
Photo by Marianne Heier
When gesture becomes movement
Workshop and summer solstice celebration
Femidomen, Nesodden 2024
Photo by Marianne Heier

Slagfält (Battle grounds) – Galleri Thomassen, Göteborg, 2022

Installation view
Ingenting kan raderas, 2017–2022
Car paint on steel sheet, 110 × 160 cm.
Field trip III, 2021
Car paint on steel sheet, 50 × 50 cm
Antisocialt element I, II, III, 2022
Chrome plated steel sheet, 120 × 100 cm (×3)
Installation view
Installation view

Photos by David Eng.

I mitten av maskhålet (In the worm hole) – Alta Art Space, 2021

Antisocial Anthem pt 2, 2021
Chrome plated steel sheet, 160 × 110 cm
Nancy II, 2021
Perforated chrome plated steel sheet, steel frame, 160 × 110 cm
Continuous void IV, 2021
Hand bound book, grogg ink, cleaning detergent
Continuous void IV (detail), 2021
hand bound book, grogg ink, cleaning detergent
Sunrise Mystery Trip, 2021
chrome plated steel sheet, 40 × 30 cm

Photos by Lena Bergendahl.

Let it Go – Galleri Thomassen, Göteborg 2019

Antisocial Anthem, 2019
Car paint on steel sheet, chrome plated steel sheet, 160 × 110 cm (×3)

In her first solo exhibition at Galleri Thomassen, Jamila Drott shows works in metal that operate on the border between painting and sculpture. Entering into dialogue with both traditions, she freely uses art historical, as well as pop- and subcultural references as a gameboard where various and often contradictory strategies can be contemplated, role-played and appropriated.

Drott’s sculptural paintings often resemble landscapes, topographical maps or satellite images; undefined terrains and territories. But these figurative associations never take a definitive form. At first glance, they present the possibility of unfolding another world, beyond their own materiality, but upon closer consideration they simultaneously establish themselves as 1:1 sculptural objects in the room.

In the working process, the image is approached as a horizontal plane; a surface placed on the ground that the artist moves across as she inscribes it with sculptural gestures, layers of paint, notes and doodlings. Granting herself access to public space, by using the city as work space, Drott also lets the surrounding context influence and imprint her work.

Let it go, 2019
Urine on copper plate, 50 × 50 cm

Photos: Jäger Arén

Skallgång (Search Party) – Galleri Ping Pong, Malmö, 2017

Final girl, 2017
car paint on steel sheet, 180 × 125 cm

Skuggflod, 2017
car paint on steel sheet, 110 × 160 cm
Vit Syn, 2017
car paint on steel sheet, 100 cm × 100 cm (× 3)
Nancy’s revenge I, II, 2017
car paint on perforated steel sheet in steel frame, 100 × 100 cm; 110 × 60 cm
ECHO ECHO ECHO, 2017
car paint on steel sheet, 180 × 125 cm
Skallgång (Search Party), 2017
car paint on steel sheet, 70 × 60 cm

Photos by Susanna Hesselberg.